Experts from six traditions: Judaism, Christianity, Islam, Hinduism, Buddhism, and Chinese religions discuss rituals, practices, and emotions as they relate to death and the hope of life that follows death.

What if every day at work felt like your team’s most productive ‘away day’? The most successful and innovative teams and organisations are highly collaborative, creative and productive - you will find the principles of great workshops infused throughout their culture. This is a book about how running great workshops, and taking inspiration from them, can lead to a great team environment. Workshop Culture will show you how to create a happy and engaged team through small actions which lead to big results. It features a practical and accessible toolkit to help improve your team’s performance and productivity. Workshop Culture gives you: Inspiring case studies from forward-thinking and innovative teams that have found success from a workshop culture A structured methodology that you can follow to bring more happiness, productivity and engagement to their team Practical exercises to help you build new skills and knowledge, and increase their impact at work Alison Coward is a team culture coach and consultant, founder of Bracket, a consultancy that partners with ambitious, forward-thinking companies to build high-performing, collaborative team cultures.

'It was raining as it only rains in Normandy, as though great gouts of water were being sprayed by some angry, giant hand.' Maupassant believed that we delude ourselves into believing that we are not animals acting upon instinct but rational creatures capable of idealistic beliefs and actions and survive only on the drug of self-deception. Maupassant's disgust with creation was only equalled by his contempt for human hypocrisy, and in these tales he takes a scalpel to our illusions and cuts to the bone. But his clinical pessimism is redeemed by a sense of the absurd and a warmer compassion for 'humanity bleeding'. Unsentimental but always honest, he persuades us that life is an incomprehensible, cosmic farce. This translation of twenty tales shows Maupassant at his bitter, bawdy, chilling best. It features some of his grimmest and most famous stories such as A Vendetta and The Grove of Olives, and it also reflects both his moods and his mastery of the short story. The Little Keg is rich in comic invention, while the disturbing Who Can Tell? draws its power from the strange forces which drove its author into madness. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

This three-book course provides a firm foundation in Home Economics to all lower secondary school students, particularly those going on to study Home Economics for CXC examinations. The course meets the needs of students following Resource and Technology courses in Home and Family Management. In addition, it offers numerous opportunities for design skills development in the areas of Food preparation and Clothing and Textiles. This fully revised edition contains: - colourful illustrations and clear information presented in a reader- friendly style - objectives at the start of each topic to aid students' preparation - up-to-date examples emphasising the benefits of new technology - lively activities to develop students' skills in critical thinking and problem solving - a summary section at the end of each chapter to consolidate learning - a comprehensive revision section at the end of Book 3 designed to cater for all abilities - a glossary of key terms so that students can check their understanding of new words - useful new appendices covering types of glassware, fashion silhouettes and recommended dietary allowances.

"We've stood up - we've lain down - we've concentrated. We've sat interminably while that tiresome old woman recited extremely unflattering verses at us. We're endured five ""seances ""- we've watched her fling herself in and out of trances until we're dizzy, and at the end of it all we find ourselves exactly where we were at the beginning."Researching for his new novel, Charles Condomine invites the implausible medium Madame Arcati to his house for a seance. Whilst consumed in a trance, Madame Arcati unwittingly summons the ghost of Charles's dead wife, Elvira. Appearing only to Charles, Elvira soon makes a play to reclaim her husband, much to the chagrin of Charles's new wife, Ruth. One husband, two feuding wives and a whisper of mischief in the air - who will win in Coward's unworldly comedy?Written in 1941, "Blithe Spirit" remained the longest-running comedy in the history of the British theatre for three decades thereafter. Dealing with relationships on both sides of the grave, it is an enduring classic.A new edition of Coward's classic play ""published to coincide with the 2014 new West End revival at the Gielgud Theatre, starring Angela Lansberry as Madame Arcati."

First published in 1983, Patriarchal Precedents is an excavation of the term patriarchy. Rosalind Coward shoes how the debates about patriarchy and matriarchy were crucial to social theories in the nineteenth century, discussing how the resolution of these debates resulted in our present ways of (mis)understanding the family, sexual relations and sexual characteristics. Rosalind Coward argues that the violent debates around patriarchy tell a salutary tale about how the term presupposed as much as it set out to explain. She demonstrates how it was used in Marxism and psychoanalysis in ways which blocked any radical thinking about sexual relations, and how the arguments against the term patriarchy within anthropology still have to be taken seriously. She argues that in order to advance our understanding of how power is exercised in sexual relations, of the place which sexual relations have within society and the construction of sexual characteristics, a series of presuppositions about sexual relations must now be cleared away. This book will be of interest to students of gender studies, women's studies, sexuality, men' s studies, sociology and anthropology.

Written as a vehicle for Coward's own acting talents alongside his frequent stage partner Gertrude Lawrence, "Tonight at 8:30 "is Coward's ambitious series of ten one-act plays which saw him breathe new life into the one-act form. From vaudeville to satire, from farce to intricate comedy of manners, from melodrama to romance, these plays span the full, glorious range of Coward's writing. Peep through your fingers at the chaotic "Red Peppers "music-hall show, witness a bankrupt couple use all "Ways and Means" to scheme their way out of debt, and break your heart along with Laura in the famous "Still Life," the original version of the film "Brief Encounter." First performed in London in 1936, the plays perfectly showcase Coward's talents as a playwright, providing a sparkling, fast-paced and remarkably varied selection of theatrical gems. Coward wrote of the first series of three plays with characteristic delight: 'They are all brilliantly written, exquisitely directed, and I am bewitching in all of them.' Gertrude Lawrence wrote to Coward in 1947, 'Dearest Noel, wherever I go . . . all I hear is "please revive "Tonight at 8.30" "'All ten plays are collected together into this volume that features both Coward's own preface and an introduction by Barry Day, Coward expert and editor of "The Letters of No""el Coward."This new edition of "Tonight at 8.30" is published to coincide with English Touring Theatre and the Nuffield Southampton's revival for the first time in the UK since Coward starred in them in 1936.

The roaring twenties. A world in flux. The magnetic Florence Lancaster draws people to her like moths to a flame. But when her son Nicky arrives home from Paris with an unexpected fiancée and a secret, it sets off a chain of events which threatens to pull them all into a maelstrom. Noël Coward’s brilliantly witty and stinging portrait of the darkness beneath the glittering surface of the Jazz Age is as vivid today as when it premiered, causing a sensation and catapulting its young writer to his first great success. This revised edition returns to Coward’s original drafts and was published to coincide with Chichester Festival Theatre’s new production directed by Daniel Raggett and starring Lia Williams and Joshua James, in April 2023.

"Its fusion of passion and mischief remains striking and there is something undeniably heady about its celebration of a kind of sexual liberation that looks a lot like flippancy" - Evening Standard From 1930s bohemian Paris to the dizzying heights of Manhattan society, a tempestuous love triangle unravels between a vivacious interior designer, Gilda, playwright Leo and artist Otto - three people unashamedly and passionately in love with each other. But can such a lavish love affair survive the real world? Exploring themes of bisexuality, celebrity, success and self-obsession, Design for Living is a stylish and scandalous comedy, that is often revered as Coward's most controversial and risqué work. This new edition is published in Methuen Drama's iconic Modern Classics series to coincide with the 50th anniversary of Coward's death and features a new introduction by Oliver Soden.

"This 1925 comedy of manners that's funny yet also unorthodox and unsettling... a celebration of abnormality and at the same time a disquieting study of both the pleasures and the pains of not being able to restrain oneself." - Evening Standard When four guests, all invited by different members of the Bliss family, arrive for a weekend at their country house near Maidenhead, they're expecting a idyllic retreat. But this peaceful promise is quickly trounced when the self-absorbed eccentricities of the Blisses are trained on the guests, who leave the country mansion humiliated and embarrassed. First produced in 1925, Hay Fever is a technical masterpiece, seamlessly combining high farce with a comedy of manners, and delivering Coward his first major commercial success. This new edition is published in Methuen Drama's iconic Modern Classics series to coincide with the 125th anniversary of Coward’s birth and features a new introduction by Michael Billington.

"Noel Coward's glittering gem" - The Times Elyot Chase and Amanda Prynne, recently divorced from one another after a five-year marriage, coincidentally arrive at the same French hotel... where they are both honeymooning with their respective new spouses. Jarred by this encounter, Elyot and Amanda realise that they still very much horrified and fascinated by the other. Frequently performed and revived in the West End, Private Lives is comedy of manners that remains one of Coward's most popular plays. This new edition is published in Methuen Drama's iconic Modern Classics series to coincide with the 50th anniversary of Coward's death and features a new introduction by Simon Stephens.

From debut novelist Joseph Coward: Run-Out Groove is the story of Jude, a kid leaving home under a hail of his father's fists, escaping to a big city in search of something, anything else. He finds the alluring Astrid, a musician who takes him under her wing, and propels him onto a waiting music scene. Quickly discovering the dangers of success, Jude realises he must now survive this new, turbulent life, leaving behind where he has come from without forgetting who he is. For fans of: Samuel Beckett, Ann Quin, Nick Hornby.

Comparative Genomics and Proteomics in Drug Discovery gives an overview of how emerging genomic and proteomic technologies are making significant contributions to global drug discovery programs, and in particular the key role that comparative genomics and proteomics play within this strategy. Each chapter is written by respected authorities, with hands-on experience, from both academic and pharmaceutical backgrounds.

'Diana was the very essence of compassion, of duty, of style, of beauty. All over the world she was a symbol of selfless humanity. All over the world, a standard bearer for the rights of the truly downtrodden, a very British girl who transcended nationality. Someone with a natural nobility who was classless and who proved in the last year that she needed no royal title to continue to generate her particular brand of magic...' From Charles Spencer's address at his sister Diana's funeral, Westminster Abbey, 6 September 1997 Today, twenty-five years since Diana's death, seems the right moment for a reassessment of this remarkable woman. Did the Royal Family learn lessons from her life, about protection and privacy, about how to incorporate 'outsiders' into their ranks, about how to manage scandal? Did it take any lessons from her death, and the public's reaction not only to that, but to the behaviour of, in particular, the Queen and Prince Charles, in the aftermath? Or have the family and the Palace - 'the men in grey suits', as Diana called them - continued on the same track, unchanged, repeating many of the mistakes made with her, from her first nervous ventures in royal circles to her later defiance of traditional protocols? These and many other questions are explored in this authoritative book, written by two people closely associated with Diana: Inspector Ken Wharfe was the Princess's police protection officer for six years during the most turbulent period of her marriage to Prince Charles. Ros Coward was chosen as author of the official book by the Diana, Princess of Wales Memorial Trust. Their book is both an examination of the people and events of the time, and an elegiac tribute to one of the most iconic figures of the late twentieth century.

"Some of [Coward's] most sparkling dialogue ever... This play is about something substantial - the way past relationships come back to haunt us - but it's the gossamer-like nature of the piece, its sheer levity of spirit, that makes it such an enduring achievement" - The Telegraph When socialite and novelist Charles Condomine attends a séance hosted by eccentric medium Madame Arcati, he's only hoping to gather material for his next book: he never expected to be haunted by his temperamental ex-wife, Elvira. Can Charles keep this willful spirit at bay, or will his new marriage to his second wife, Ruth, come to an untimely demise? With unforgettable characters, witty dialogue and farcical situations, Blithe Spirit ran for decades on the West End, becoming one of the most well-known plays in the British canon. This new edition is published in Methuen Drama's iconic Modern Classics series to coincide with the 50th anniversary of Coward's death and features a new introduction by Arianne Johnson Quinn.

"An honest, even profound reflection on the price of fame, with some genuine sexual frisson and an undercurrent of pathos." - The Hollywood Reporter At the centre of his own universe sits matinee idol Garry Essendine: suave, hedonistic and too old, says his wife, to be having numerous affairs - his line of harmless, infatuated debutantes is largely tolerated but playing closer to home is not. Just before he escapes on tour to Africa the full extent of his misdemeanours is discovered... and all hell breaks loose. Noël Coward's Present Laughter premiered in the early years of the Second World War just as such privileged lives were threatened with fundamental social change, and remains one of the playwright's most enduring hits. This new edition is published in Methuen Drama's iconic Modern Classics series to coincide with the 50th anniversary of Coward's death and features a new introduction by Russell Jackson.

Social and political attention often is focused on urban issues, neglecting the still-rural character of much of the United States. This volume of original papers provides a clear picture of present-day rural society, with special emphasis on the changing role and structure of the family. It describes demographic trends, discusses the family aspects of the new wave of inmigrants to small towns and rural communities, reviews the diversity of patterns and forms adopted by rural families, considers the plight of the rural aged, and explores the dynamics of intrafamily personal relationships. The book ends with speculations on future prospects and challenges facing rural families.

Barry Coward has revised his wide-ranging text which outlines the major social changes that occurred in England in the two hundred years after the Reformation. He examines the religious and intellectual changes resulting from revolutionary pressures, as well as considering the impact of rapid inflation and population expansion in the later sixteenth and early seventeenth centuries. Overall he stresses that social change combined with social continuity to produce a distinctive early modern English society.

Social and political attention often is focused on urban issues, neglecting the still-rural character of much of the United States. This volume of original papers provides a clear picture of present-day rural society, with special emphasis on the changing role and structure of the family. It describes demographic trends, discusses the family aspects of the new wave of inmigrants to small towns and rural communities, reviews the diversity of patterns and forms adopted by rural families, considers the plight of the rural aged, and explores the dynamics of intrafamily personal relationships. The book ends with speculations on future prospects and challenges facing rural families.

The term 'urbicide' became popular during the 1992-95 Bosnian war as a way of referring to widespread and deliberate destruction of the urban environment. Coined by writers on urban development in America, urbicide captures the sense that the widespread and deliberate destruction of buildings is a distinct form of violence. Using Martin Heidegger's notion of space and Jean-Luc Nancy's idea of community, Martin Coward outlines a theoretical understanding of the urban condition at stake in such violence. He contends that buildings are targeted because they make possible a plural public space that is contrary to the political aims of ethnic-nationalist regimes. Illustrated with reference to several post-Cold War conflicts - including Bosnia, Chechnya and Israel/Palestine - this book is the first comprehensive analysis of organised violence against urban environments. It offers an original perspective to those seeking to better understand urbanity, political violence and the politics of exclusion.

The term urbicide became popular during the 1992-95 Bosnian war as a way of referring to widespread and deliberate destruction of the urban environment. Coined by writers on urban development in America, urbicide captures the sense that the widespread and deliberate destruction of buildings is a distinct form of violence.

Using Martin Heidegger s notion of space and Jean-Luc Nancy s idea of community, Martin Coward outlines a theoretical understanding of the urban condition at stake in such violence. He contends that buildings are targeted because they make possible a plural public space that is contrary to the political aims of ethnic-nationalist regimes. Illustrated with reference to several post-Cold War conflicts including Bosnia, Chechnya and Israel/Palestine this book is the first comprehensive analysis of organised violence against urban environments. It offers an original perspective to those seeking to better understand urbanity, political violence and the politics of exclusion.

Comparative Genomics and Proteomics in Drug Discovery gives an overview of how emerging genomic and proteomic technologies are making significant contributions to global drug discovery programs, and in particular the key role that comparative genomics and proteomics play within this strategy. Each chapter is written by respected authorities, with hands-on experience, from both academic and pharmaceutical backgrounds.

First published in 1977, this book presents a comprehensive and lucid guide through the labyrinths of semiology and structuralism - perhaps the most significant systems of study to have been developed in the twentieth century. The authors describe the early presuppositions of structuralism and semiology which claim to be a materialist theory of language based on Saussure's notion of the sign. They show how these presuppositions have been challenged by work following Althusser's development of the Marxist theory of ideology, and by Lacan's re-reading of Freud. The book explains how the encounter of two disciplines - psychoanalysis and Marxism - on the ground of their common problem -language - has produced a new understanding of society and its subjects. It produces a critical re-examination of the traditional Marxist theory of ideology, together with the concepts of sign and identity of the subject.